Fujifilm S5 Pro: Press Release and Photos

Available for viewing at the Photoworld booth of Fuji-YKL at the Glorietta.

nikon d200 dslr
  • Save

nikon d200 vs fuji s5 pro
  • Save

How does the Nikon D200 Compare to the Fuji S5 Pro

Twins?  nope your not seeing double.. the Fuji S5 like the cameras before it have been using nikon bodies with their sensor… It is available for viewing at photoworld manila at the glorietta and it seems like i am headed there with a blank CF card to give the fuji S5 a go.. my initial thoughts on the camera was that it was slow.. slow in writing data.. am not sure what card was inside it or what write speed it had.. but it sure felt a lot slower than the d200.. will give other comments with photos from the S5 later..

D200 Vs Fuji S5 Pro

1. D200 Effective Pixels 10.0M while Fuji has 6.1M

2. Fujifilm makes their own SuperCCD SR Pro Sensor, Nikon uses one made by Sony.

3. Fuji S5 uses 7 positions plus manual while the D200 has 6 positions, manual preset and Kelvin wb range.

4.  D200 has timelapse recording the Fuji S5 does not.

Not much difference.. i would think the only major differences would lie in sensor color rendition since both use the same body but the d200 maximizes the use of the body more than the Fuji S5 does.  If i were to choose which camera i would use, I would go for the d200 for the 10MP and not sure what limitations fuji has set on the camera..  (remember s1 and s20 werent fully compatible with all lenses and flashes)

I had a Fuji S2 for a couple of years and the colors of the S2 were superb for its time.. but i have grown “out of the box” and need more control with my photography, thats why a d200 is more enticing for me.

photos to follow later..

Here is Fuji’s Press Release.
Release of much-anticipated Fujifilm DSLR for early 2007

Fujifilm today announces the development of the FinePix S5 Pro, the keenly-awaited successor to the acclaimed FinePix S3 Pro. In a DSLR market that is much more competitive and dynamic than the one its predecessor was launched into, the FinePix S5 Pro will stand apart from the crowd by combining the much sought-after picture quality of Fujifilm’s Super CCD SR sensor with a fully digital and durable professional metal alloy body. With this superior combination of truly professional handling and image quality, Fujifilm expects the FinePix S5 Pro to appeal to an even broader range of professional photographers.

Fujifilm’s ultimate goal in development of its DSLR cameras has been to maximise image quality through constant research and development into its sensor technology. With the introduction six years ago of its acclaimed Super CCD, Fujifilm moved away from increasing the pixel density of its sensors in favour of image quality developments that increase the overall performance of the sensor. The FinePix S5 Pro will see the refinement of a winning formula – Fujifilm’s Super CCD SR II will be updated to the new Super CCD SR Pro. Using a unique layout of twelve million paired photodiodes (6.17 million larger ‘S’ photodiodes for main image information, combined with 6.17 million smaller ‘R’ photodiodes for bright area information), the S5 Pro will deliver improvements in noise, dynamic range, colour and tonality. Further improving the capability of the sensor, a new, improved low-pass filter will ensure that moiré and noise are kept to an absolute minimum. Fujifilm believes improvements in these key areas will be of more true value to professional photographers – the challenge is quality of information, not quantity of information.

The redesigned Super CCD SR Pro sensor will be at the centre of the camera’s performance. However the new Real Photo Processor Pro will ensure that the information is handled in such a way to produce images that are beautifully vibrant, with colour recorded as the human eye sees it. The processor’s two stages of noise reduction will deliver an impeccably clean image, and also permit light sensitivity up to ISO 3200 whilst achieving sharp, low-noise images. A new dark noise reduction process, subtracting the residual, ambient noise on the sensor from the actual exposure, helps the camera produce smooth, clean images when long shutter speeds are used.

The FinePix S5 Pro will also introduce one particularly sought-after feature; the ability to record jpeg and RAW files simultaneously to the card. This will enable photographers to view and distribute smaller-sized jpegs, whilst retaining the ability to work on the larger RAW files later on a PC or Mac. This dual option is available with a variety of image sizes, giving the option to store either a small, emailable file size, or a larger, more detailed jpeg.

With its predecessor achieving recognition for its excellent ergonomics, the FinePix S5 Pro will take the system into a different league, using a tough, professional magnesium alloy shell. With weatherproof seals, and first-rate design, the S5 Pro will be a camera truly deserving of the term ‘workhorse’, equally at home in the studio as on a nature assignment in a humid rainforest. The camera’s shutter mechanism will be testament to its durability, as it has been tested to exceed the key benchmark of 100,000 cycles.

The FinePix S5 Pro will also afford the user much greater control over the unique image parameters that its technology provides. Six stepped dynamic range settings between 100% (normal dynamic range) and 400% (dynamic range expanded by two stops) will enable the photographer to achieve exactly the tonal feel to their images that they want. In addition, three distinct settings for the ‘negative film’ preset option will further enhance the customisable nature of the camera, giving portrait photographers precisely the ‘look’ that they have in their mind’s eye.

Adrian Clarke, Fujifilm’s Director of Photo Products, said: “The development of the FinePix S5 Pro reflects Fujifilm’s commitment to the professional photographer. We remain determined to develop professional level products with the sort of image quality that made the FinePix S3 Pro a favourite among studio, portrait and wedding photographers. The introduction of the FinePix S5 Pro brings heightened performance, handling and image quality to our DSLR product group and we expect this to attract an increasingly diverse range of professional users. These are exciting times for us.�?

Improvements of FinePix S5 Pro over FinePix S3 Pro

Image processing and quality

  • Real Photo Technology Pro, which combines the Super CCD SR Pro and the RP (Real Photo) Processor Pro, allows for greater dynamic range with smoother tonality from highlight to shadow
  • The improved Super CCD SR Pro features an optimised low-pass filter to reduce noise and minimise moiré
  • The newly developed RP Processor Pro features two cycles of noise reduction which enables photographers to take images at even higher sensitivities (ISO 100 to ISO 3200) with visibly reduced noise

Greater flexibility to control colour and dynamic range

  • For even greater creative control over the FinePix S5 Pro’s dynamic range, photographers can now choose from up to six preset ranges between 100% and 400%
  • For improved reproduction of natural skin tones, three new variations of the original film simulation mode (F1) have been added (five modes in total)

Other camera functions and features

  • Nikon F-mount compatibility for all functionality with all Nikkor AF-D/G and the latest AF-S optics
  • RAW+ jpeg (4,256 x 2,848 pixels, 3,024 x 2,016 pixels, 2,304 x 1,536 pixels) dual-save mode
  • Mac and PC supported tethered shooting mode via USB 2.0 port and optional Hyper Utility software
  • Robust lightweight magnesium-alloy body with moisture- and dust-proof seals
  • Durable shutter unit stands up to approximately 100,000 cycles
  • Adoption of high-precision i-TTL flash control
  • 11-point AF sensor with faster autofocusing than the FinePix S3 Pro
  • Supports 1/3, 1/2, and 1 stop lens aperture control
  • Shutter speed 30 sec. to 1/8000 sec, maximum flash sync speed of 1/250 sec.
  • 3 levels of custom function locking with password protection
  • 2.5 inch LCD with 235,000 pixels, gives 100% frame coverage. Colour and monochromatic 30 seconds live view function to check focusing
  • Li-ion rechargeable battery
  • Compact Flash ä (CF) Card (Type I/II) and Microdrive ä compatible

Face Detection Technology for post image verification

  • Uniquely developed Face Detection Technology LSI is under development for the FinePix S5 Pro.  With one press of a button, the camera detects up to ten faces almost instantly after each image is captured. After shooting and during playback, the photographer can easily and quickly zoom in and check facial details such as closed eyes, focus and exposure on the LCD monitor

Optional Accessories

  • LAN Adapter to enable sending of image data at high speed over wireless LAN or Ethernet.
  • New Hyper Utility Software gives precise control for editing images taken in CCD-RAW 14 bit format   It will also enable the FinePix S5 Pro to be remotely controlled by PC
  • Rechargeable battery
  • Battery charger
  • AC Power adapter

Availability & pricing

The FinePix S5 Pro is scheduled for launch in February 2007. Pricing and stockists will be announced nearer to the date of retail launch.

Its available for viewing at Photoworld 2007 at Glorietta.. will try to bring a memory card to test the images..

Body material

Magnesium alloy


• Fujifilm SuperCCD SR II
• 23.0 x 15.5 mm
• 2 photodiodes per photosite (one S and one R)
• RGB color filter array
• 14 bit A/D converter

Effective pixels

• 12.34 million
• S-pixel: 6.17 million
• R-pixel: 6.17 million

Image sizes

• 4256 x 2848 (12.1 million)
• 3024 x 2016 (6.1 million)
• 2304 x 1536 (3.5 million)

Image formats

• JPEG (EXIF 2.2) – 2 levels (Fine, Normal)
• CCD-RAW (14 bit) – S only mode
• CCD-RAW (14 bit x2) – S+R mode

Lens mount

Nikon F mount (with AF coupling & AF contacts)

Usable lenses

• Type DX AF Nikkor: All functions supported
• Type G or D AF Nikkor (IX Nikkor lenses can not be used): All functions supported
• Micro Nikkor 85 mm f/2.8D:All functions supported except autofocus and some exposure modes
• Other AF Nikkor (excluding lenses for F3AF): All functions supported expect 3D color matrix metering II and 3D multi-sensor balanced fill-flash for digital SLR
• AI-P Nikkor: All functions supported except 3D color matrix metering II,3D multi-sensor balanced fill-flash for digital SLR, and autofocus
• Non-CPU: Can be used in exposure modes A and M; electronic range finder can be used if maximum aperture is f/5.6 or faster; colour matrix metering, multi-sensor balanced fill-flash for digital SLR, and aperture value display supported if user provides lens data

FOV crop


Focusing *

• 11/7-area AF
• TTL phase detection
• Nikon Multi-CAM 1000 autofocus module
• Detection range: EV -1 to EV 19 (ISO 100, 20°C/68°F)
• Single / Dynamic Area AF (inc. Closest Subject Priority)

Lens servo *

• Single Servo AF [S]
• Continuous Servo AF [C]
• Manual focus [M]
Focus Tracking automatically activated by subject’s status in [S] or [C] AF

AF area mode *

• Single Area AF
• Dynamic AF with Focus Tracking and Lock-on
• Group Dynamic AF
• Closest Subject Priority Dynamic AF

AF assist

Yes, white lamp

Shooting modes

• Programmed AE Mode (with program shift)
• Shutter-Priority AE
• Aperture-Priority AE
• Metered Manual

Metering system / range

• 1,005-pixel CCD
• Matrix: 0 – 21 EV
• Center-Weighted Average: 0 – 21 EV
• Spot: 3 – 21 EV
(Normal temperature with F1.4 lens)

Metering modes

• 3D Color Matrix Metering II
• Center-Weighted
• Spot (3 mm circle)

Meter Coupling

CPU and AI

AE Lock

• Dedicated button
• Half-press shutter release

Exposure compensation *

• +/- 5 EV
• 1/3, 1/2 or 1 EV steps

Exposure steps

0.5 EV

AE Bracketing

• 2 or 3 frames
• 0.5, 1.0, 1.5 or 2.0 EV steps


• ISO 100
• ISO 160
• ISO 200
• ISO 400
• ISO 800
• ISO 1600
• ISO 3200


Electronically controlled vertical-travel focal-plane shutter

Shutter speed *

• 30 sec – 1/8000 sec
• Bulb

Flash X-sync *

1/250 sec

Aperture values

Depends on lens (1/3, 1/2 or 1 EV steps)

DOF preview

Button, stops-down lens aperture

Exposure moes

• Program Auto [P] – flexible program possible
• Shutter-Priority Auto [S]
• Aperture-Priority Auto [A]
• Manual [M]

Drive modes

• Single frame
• Continuous shooting
• Self-timer mode (2, 5, 10 or 20 sec)

Continuous shooting

Yes, details unknown

Built-in flash

• Pop-up (manual)
• Guide no. 12 (ISO 100)
• Max shutter speed: 1/250 sec

Flash control

• TTL: TTL flash control by 1,005-pixel RGB sensor.
• Built-in Speedlight: i-TTL balanced fill-flash or standard i-TTL flash (spot metering or mode dial set to [M])
• SB-800 or 600: i-TTL balanced fill-flash for digital SLR and standard i-TTL flash for digital SLR.
• Auto aperture: Available with SB-800 with CPU lens
• Non-TTL Auto: Available with Speedlights such as SB-800, 80DX, 28DX, 28, 27, and 22s
• Range-priority manual; available with SB-800

External flash

• X-contact hot-shoe (with i-TTL support)
• PC sync terminal

Viewfinder *

• Fixed eye-level pentaprism
• Built-in diopter adjustment
• Coverage: Approx. 95%
• Magnification: 0.94x

White balance *

• Auto
• Fine
• Shade
• Fluorescent
• Incandescent
• Flash
• Preset
• Color temperature

Film simulation *

• F1
• F1a
• F1b
• F1c
• F2

Color space

• sRGB
• Adobe RGB

Dynamic range *

• Auto
• 100% (Std)
• 130%
• 170%
• 230% (W1)
• 300%
• 400% (W2)

Storage *

Compact Flash Type I/II

LCD monitor *

• 2.5″ TFT LCD
• 235,000 pixels

Connectivity *

• USB 2.0 (Hi-Speed)
• Video out
• Wired remote
• DC in
• PC Sync terminal


• Lithium-Ion battery
• Optional AC adapter


170 x 113 x 74 mm (6.7 x 4.4 x 2.9 in)

  • Save
Share via
Copy link
Powered by Social Snap